Monday, 20 September 2010

City of steel and fog

I've always found it kind of strange that cities, and even whole countries, can be reduced to simple psychological terms. As if we're talking about a single human being.

Say, a person could be suffering from paranoia, a delusion which often comes with hubris, and I sometimes find this a perfect match for a certain superpower, namely USA.

But San Francisco will not be pinned down as easily. It has a beaming smile for the tourist, but this will start to weaver if anybody are in for a prolonged stay. In fact, San Francisco seems have some serious mood swings. There's a distinct gloomy side. And this could very well be the reason for why I find the town so interesting.


photo Henrik Nor-Hansen
I left Nina on Market Street. We had a transfer ticket, but I wanted to walk. I had been waiting for the town to change.

It was late in the evening. Fog rolled in and obscured the sun, the tall buildings. Fog drifted like smoke through the structures. The last bit of sun set a facade of glass and steel on fire.

photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
Architecture may be the language of economical and political power, but buildings often grow into something unforeseen. I was wondering about this as I walked. How could downtown San Francisco be so powerful and yet so transient?

photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
Clerks and executives crowded the sidewalks. Cars where backed up in Sutter Street. But I kept looking up at those tall buildings. The upper floors seemed peculiarly lofty. Like dreams. Like something that's not really there. I had never seen steel and concrete like this before.

I often have this vague feeling while dreaming; like a neutral surrounding that's about to change for the worse.

photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
photo Henrik Nor-Hansen
It was getting darker. People had cleared the street as I walked up Mason. A cold, moist wind was blowing.

photo Henrik Nor-Hansen
I passed a corner shop with three Chinese men standing in the doorway, smoking. They seemed somewhat depressed. Most windows where dark and empty.

The lights were on in a yellow kitchen. I spotted a little boy drumming with chopsticks. It was like a racket in total silence.

And on the next block, in a bleak and desolated window on third floor, was it an old, Chinese woman grinning? Did she really hunch closer to the window frame? Was she grinning down at me?